Blackhairstory

Natural Hair & Care

Simpsonized Playboy October 21, 2009

Filed under: celebrity,Marge Simpson,natural,Playboy — R.D. @ 9:46 am

art.marge.simpson.playboy.courtesy.jpgThis Friday, a Simpsonized issue of Playboy magazine hit the newsstands in an effort grab a younger and hipper demographic. They got me…but not for the reasons that they were hoping for. This issue is a clear nod to the magazine’s heyday–in the 70’s–and a homage to one of the most iconic covers ever:

art.playboy.1971.cover.courtesy.jpgIn October of 1971, Darine Stern was the first Black woman on the cover of the magazine. Editors of the magazine wanted to re-create the issue because “Marge’s sexy blue beehive immediately made us think of Darine Stern, whose beautiful, voluminous hairdo was front and center on the October 1971 cover.” I always knew that Marge’s hair was a little different 🙂

 

Zahara and Black Women October 20, 2009

zahara_paxThere has been a lot of buzz about the October 9th Newsweek article published by Allison Samuels. I am actually getting ready to grease my own hair and get ready to go to class but I had to add my voice to the discussion. From the comments posted to the article and the space devoted by many blogs to responding to the article, it is clear that many Black women feel that Jolie’s handling of Zahara’s hair is a sign of disregard for something that is so important to the Black community: hair. Contrary to what India.Arie believes, we are our hair. Our sense of self is inextricably linked with what we choose to do with our hair, how we talk about our hair and what we tell our daughters about their hair.

Some have said that Zahara may resent Jolie when she grows up, look back on her baby pictures with sadness and be made to feel the sting of her difference when she enters schools. But are we talking about Zahara or ourselves? Others have said that Zahara’s mom could take cues from the hair of Madonna’s newly adopted African daughter or Sasha and Malia because she is a little black girl being judged by “mainstream standards”. However, what are these mainstream standards? I don’t find many white Americans responding in anger to these blogs. Who is imposing and reifying standards of beauty for Black women? From the looks of the blogroll, it looks like we have so fully bought into “mainstream” standards of beauty that we cannot even begin to think of other ways that a little black girl might be–beautiful.

Allison Samuels finishes the article with this statement:

“But there will come a day when this beautiful little African girl will understand what it means to be an African-American woman in this society and realize unlike her younger sister, hers is not a wash-and-go world.”

I am not so sure anymore of where our definition of “what it means to be an African-American woman in this society” comes from. I do believe that there are many different ways to be black and beautiful and that we need to really think about what Zahara means for us and why her hair is making us so angry.

I have to go to class.

 

Tyra’s “Real” Hair September 3, 2009

Filed under: celebrity,natural,natural hair care,weaves — R.D. @ 9:31 am

TyTy's Real Hair

This September 8th, Tyra Banks will be unveiling her “real” hair on her talk show. Her twitter posts show how she has been preparing for and thinking about her debut–the presentation of her natural hair to the world:

  • reminder: i’m savin the real tresses for sept 8th on my talk show. i can’t wait for u to see it! free at last!!!7:22 PM Aug 29th from web
  • tomorrow, i’m gonna be posting a sneak TEASE pic of my real hair on TWITTER!!! TyTy7:04 PM Aug 24th from web
  • http://twitpic.com/f9mqb – Here’s me rockin my REAL hair, had 2 blur it so its still a surprise on Sept 8! Who else is sportin their rea

I’m excited for Tyra–I really am– but her decision making process, as reflected on twitter is a testimony to the politics surrounding highly-textured black hair. The words that she uses in the first post from Aug 29th are most revealing. She says that she is “free at last!!!” However, while she is free, she is also bound by conventional standards of beauty, which will definitely factor into how audience members (regardless of skin color or hair texture) and viewers at home react and respond to her hair. When she does finally post a pic of her natural tresses on twitter, it is a blurred picture. While it is probably a simple picture from her phone that is doctored with some app on her computer, this picture speaks volumes about the relationship, or lack their of, that the world has with Black hair and  the relationship that many Black women have to their own hair. Our hair is often a grey and blurry area for many of us. How should we feel about it? Is it just hair? What is the big deal? Are we more beautiful if our hair is straight? Would we offend our co-workers less if we adhered to “corpororate” styles? Why doesn’t our hair fit into the ‘norm’ for corporate styles? In blurring her hair, Tyra unknowingly makes a powerful statement about the important role that our hair plays in our identity and how people perceive us. Many of us, with chemicals, have also been blurring and softening the curly tendrils on our head, only giving people sneak peaks when we feel comfortable. I have to disagree with India Arie. We are our hair and always will be.

 

Why Michelle Obama’s Hair Matters

Filed under: celebrity,fashion,natural hair care,Obamas — R.D. @ 8:57 am
By JENEE DESMOND-HARRIS Jenee Desmond-harris Wed Sep 2, 5:15 pm ET

When the First Lady attended a country-music event in July without a single strand of hair falling below her jawline, the blogosphere exploded with outbursts ranging from adoration to vitriol. Things settled down only when her deputy press secretary clarified that there had been no First Haircut. In the aftermath, a didactic post on MichelleObamaWatch.com proclaimed that anyone “familiar with the amazing versatility of black hair” would have known that the new summer look was simply “pinned up.” (See pictures of Michelle Obama’s hairstyles.)

Many Americans have dismissed this hair hubbub as simply more media-driven noise – like the chatter about Michelle Obama’s sleeveless dresses, J. Crew cardigans, stocking-free legs or, for that matter, recent (shocking!) decision to wear shorts in the Arizona heat. But for African-American women like me, hair is something else altogether – singular in its capacity to command interest and carry cultural baggage. The obsession with Michelle’s hair took hold long before Inaugural Ball gowns were imagined, private-school choices scrutinized or organic gardens harvested. It’s not that she’s done anything outrageous. The new updo wasn’t really all that dramatic a departure from variations we’ve seen on her before (the “flip-out,” the “flip-under,” the long-ago abandoned “helmet”). Still, her hair is the catalyst for a conversation that begins with style but quickly transcends outward appearance and ultimately transcends Michelle herself – a symbol for African-American women’s status in terms of beauty, acceptance and power. (See pictures of Michelle Obama’s style evolution.)

The hair buzz heated up right after the Democratic National Convention. Websites dedicated to black hair posted and reposted a Philadelphia Inquirer article addressing what was presented as an urgent question: Were the silky strands that moved so gracefully with each tip of her head during her Denver speech straightened with chemicals or with heat alone? How exactly did she metamorphose what we know was once tightly coiled hair?

The choice many black women make to alter their hair’s natural texture has undeniable historical and psychological underpinnings. It has been attributed to everything from a history of oppression and assimilation to media-influenced notions of beauty and simple personal aesthetics. But one thing is certain. For the many who wear straightened styles like Michelle’s, the decision is deliberate, and the maintenance is significant. A stylist hypothesized in the Inquirer article about the steps taken to attain her look, and a firestorm of online comments followed, including these two:

“Chemicals, hot comb, round brush and dryer … same effect, different methods. I could see it being a big deal or inspirational if she were natural and wore it in natural styles.”

“Girl, ain’t no braids, twists, afros, etc. getting into the White House just yet … LOL.”

This could have been read as a lighthearted exchange about beauty and style. But it actually reflects a serious and clamorous debate. A growing community on sites like Nappturality.com urges black women to reject curl-relaxing methods, calling them “taking the easy road” and “conforming” to white aesthetics. Meanwhile, talk-show host Tyra Banks just announced via Twitter that she will abandon her weave and don “no fake hair at all!” for her show’s season premiere. Mixed in with the supportive response to the former supermodel’s decision was skepticism about whether she could be attractive with what she describes as her “out and free” look.

See pictures of Michelle Obama’s Jason Wu dress.

See pictures of Sasha and Malia Obama at the Inauguration.

For black women, hair has classification power (witness the connection Don Imus made between hair and sexual promiscuity when he referred to the Rutgers women’s basketball team as “nappy-headed hos”). Just as blond has implicit associations with sex appeal and smarts (or lack thereof), black-hair descriptors convey thick layers of meaning but are even more loaded. From long and straight to short and kinky – and, of course, good and bad – these terms become shorthand for desirability, worthiness and even worldview. (See pictures of Michelle Obama’s fashion diplomacy.)

The notion of natural black hair as being subversive or threatening is not new. When the New Yorker set out last summer to satirize Michelle as a militant, country-hating black radical, it was no coincidence that the illustrator portrayed her with an Afro. The cartoon was calling attention to all the ridiculous pre-election fearmongering. But the stereotypes it drew from may be one reason that 56% of respondents to a poll on NaturallyCurly.com say the U.S. is not ready for a “First Lady with kinky hair.”

Some black women note that Michelle’s choice to wear her hair straightened affirms unfair expectations about what looks professional. On Blacksnob.com a reader empathized with Michelle’s playing it safe in the White House and outlined her own approach: “Whenever I start a new job I always wear my hair straight for the first three months until I get health care. Then gradually the curly-do comes out.” Another echoed the practice: “I wait about four to six months before I put the [mousse] in and wear it curly … I have to pace myself because it usually turns into a big to-do in the office.” (See the 50 best websites of 2009.)

The amount of money black women spend on hair will be explored in Chris Rock‘s upcoming comedic documentary Good Hair. “Their hair costs more than anything they wear,” he said. Which helps explain the recent news out of Indiana University that black women often sacrifice workouts to maintain their hairstyles.

One might think having a black First Lady who is widely praised as sophisticated and stylish would represent a happy ending to the story of black female beauty and acceptance. Alas, our hair still simultaneously bonds and divides us. “There is no hair choice you can make that is simple,” says Melissa Harris Lacewell, an associate professor of politics and African-American studies at Princeton. “Any choice carries tremendous personal and political valence.”

Even though I’m biracial and should theoretically have half a share of hair angst, I’ve sacrificed endless Saturdays to the salon. It is unfathomable that I might ever leave my apartment with my hair in its truly natural state, unmoderated by heat or products. I once broke down at the airport when my gel was confiscated for exceeding the 3-oz. limit. (See 50 essential travel tips.)

I’m neither high maintenance nor superficial: I’m a black woman. My focus on hair feels like a birthright. It is my membership in an exclusive, historical club, with privileges, responsibilities, infighting and bylaws that are rewritten every decade.

Not once when I’ve seen an image of our First Lady has it been lost on me that she is also a member. I don’t see just an easy, bouncy do. I see the fruits of a time-consuming effort to convey a carefully calculated image. In the next-day ponytail, I see a familiar defeat.

A black family at 1600 Pennsylvania Avenue signifies a shattered political barrier, but our reactions to Michelle are evidence that it takes more than an election to untangle some of the unique dilemmas black women face. Thanks to her, our issues are front and center. It feels a lot like when nonblack friends and colleagues ask those dreaded questions that force us to reflect and explain: whether we can comb through our hair, if we wash our braids or locks and the most complicated of all – why it all has to be such a big deal.

 

What I am Loving: Janelle Monae’s Style February 11, 2009

Filed under: celebrity,fashion,natural — R.D. @ 12:23 am
Tags: , , ,


Nominated for a Grammy for “Many Moons” in the Best Urban/Alternative performance category, Monae, who insists that she is “not a Red Carpet gal”, commands attention with her elegant coiffe and non-traditional outfit.
 

Aunt Jemima’s Hair February 1, 2009

Filed under: celebrity,natural — R.D. @ 9:03 pm
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1889: Rutt and Underwood create an instant pancake mix. Aunt Jemima’s image comes out of the logo used on a vaudeville program featuring Black face minstrel comedians. “Aunt Jemima” is a song that they sing during the show.

1893-1980’s: Real women are chosen by various owners of the company to represent Aunt Jemima at restaurant openings, fairs, grocery stores and food shows. Ex-slave Nancy Green’s (left) likeness is used for the Aunt Jemima logo. Aunt Jemima’s head is adorned with a kerchief.

1968: During the civil rights movement, activists threatened to boycott the current owner of the company (Quaker Oats) if they did not change Aunt Jemima’s mammyish image and free her from the past. Her headscarf is replaced with a head band and she loses weight.

July 1989: Aunt Jemima trades in her head band for a perm and pearl earrings. Quaker Oats believes that Aunt Jemima’s make over shows “Aunt Jemima in a more contemporary light, while preserving the important attributes of warmth, quality, good tastes, heritage and reliability.”

 

What I am loving: Sasha and Malia’s natural hair January 30, 2009